Until a couple of years ago, I wasn't much of a reader. This may sound kind of unusual for somebody whose career has ostensibly dealt rather extensively with the written word, but for whatever reason, I just never felt compelled to pick up a book for non-educational purposes. Perhaps the fact that I spent all of graduate school reading impossibly dense academic journals led to post-traumatic stress every time I even considered recreational reading; I should apply for some grant money to look into this.
By early 2006 or so, however, I was having a really, really hard time getting to sleep at night, so Cathy suggested that I should start reading for an hour or so before going to bed. I was a bit dubious about adding another hour to my bedtime routine, but I was willing to try just about anything at that point.
So I gave it a try, and believe it or not, it helped, and I've been reading semi-voraciously ever since. It hasn't helped me to sleep any more soundly (as those of you who have shared sleeping space with me will attest, I may be one of the lightest sleepers alive), but getting to sleep is generally not nearly as trying an ordeal as it once was.
And so, in tribute to this most venerable of media, here are thoughts on some books that I've recently read.
Isaac's Storm, The Devil in the White City and Thunderstruck by Erik LarsonThose of you who are familiar with my love of history will have no problem believing that I enjoy Erik Larson's work. Each of these books deals with significant, yet semi-forgotten events that took place during the late 19th and early 20th Centuries, and since the outcomes and consequences of these events aren't necessarily commonly known, they tend to feature a good deal more suspense than most other histories.
Isaac's Storm deals with the hurricane that struck Galveston, Texas in 1900; it's the most conventional of Larson's histories and feels a bit slight when compared to his more recent work, but it's still terrifically compelling.
The Devil in the White City intertwines two stories that occurred more or less simultaneously in Chicago at the time of the 1893 World's Fair; one concerns the Fair's chief architect, Daniel Burnham, and the other involves Dr. Henry H. Holmes, one of the United States' first serial killers. These narratives are both very interesting (more so to me because I live relatively close to where all of this took place), but their relationship is extremely tenuous, which hurts the work as a whole, in my opinion.
Thunderstruck also tells two stories -- one follows Marconi in his often-frustrating quest to engineer trans-Atlantic radio, while the other concerns another murderous doctor, Hawley Harvey Crippen -- but since there is actually a connection between them, it ends up being a bit more satisfying than
Devil, despite the fact that the final third of the book is a mess in terms of its chronology.
Larson's histories are exceptionally well-researched and tend to read like good fiction, so even though his more ambitious concepts occasionally fall flat, his books are always interesting and often engrossing.
Fargo Rock City, Sex, Drugs, and Cocoa Puffs, Killing Yourself to Live and Chuck Klosterman IV by Chuck KlostermanA while ago, I went out with a girl who, prior to our first date, sent me an e-mail that contained the following passage:
First of all, I must say, You really are an incredible writer. You just sound *SO* much like Chuck Klosterman-- really, you would get a kick out of Sex, Drugs, and Cocoa Puffs. I'll bring it to you when we meet. I know you're not much of a reader, but I think you two may have been separated at birth. You'll see what I mean when I give it to you.
I'd heard of Klosterman due to his 2004 Page 2 interviews with Bill Simmons, but I hadn't read any of his work. Girl X did indeed give me her copy of
Sex, Drugs, and Cocoa Puffs, and I did indeed enjoy it. Klosterman's writing is extremely witty and engaging, but since pop culture criticism (of which
Sex, Drugs, and Cocoa Puffs is composed) intrinsically has a shelf life, this book -- which was originally published in 2003 -- feels a bit dated nowadays. Still, it's considered by many to be his best work, and it's certainly worth a read ... just have Wikipedia ready to consult in case you have any contextual questions.
I bought the rest of his books in short order.
Fargo Rock City, Klosterman's first book, is something of a coming-of-age memoir that's framed by the author's love of metal music. It's an interesting concept, but in the course of reading this book, I had a hard time getting past Klosterman's odd lack of knowledge about metal, a topic in which he claims to have a deep emotional investment.
Killing Yourself to Live is my favorite of Klosterman's four books; it's a contemplation of romantic love that's told against the backdrop of rock star deaths, and it's easily his most focused and mature work.
Chuck Klosterman IV features previously-published interviews and essays, as well as an unfinished novella. It seems a bit haphazard and self-aggrandizing, and I kind of resent being asked to pay a premium price for pieces that I could probably have read for free online, but I still enjoyed the majority of the content, so huzzah.
You tend to need to be of a certain mindset to truly enjoy Klosterman's work ... if you're over the age of 35 and not extremely cynical, you'll probably find the majority of his writing to be pretty obnoxious. I'm not totally on board with everything he's done (I'm not extremely cynical ... just pretty cynical), but I do enjoy his style and will continue to seek out his work.
Silent Bob Speaks and My Boring-Ass Life by Kevin SmithObviously, Kevin Smith is best known as a director and screenwriter, but he's attained a reputation as a terrific storyteller in recent years (due mostly to his
An Evening with Kevin Smith DVDs), and these two books trade upon that reputation.
Silent Bob Speaks is a collection of previously-published essays and interviews that are funny, but with one notable exception (Smith's hilarious character assassination of Reese Witherspoon, which has become reasonably famous in the years since its publication), they're not all that memorable. In addition, Smith's constant crushing self-deprecation is well past tiresome by the time the book concludes. Still, I read the whole thing in something like three nights, so it's certainly engaging. If you enjoyed the
Evening with Kevin Smith DVDs, you should probably consider checking out
Silent Bob Speaks.
My Boring-Ass Life is a compilation of Smith's blog entries from 2005 and 2006, and as promised, it's pretty boring. Seriously, it took me months to read this book ... it's relatively long and I would occasionally talk myself out of reading it. I'm glad I didn't give up on it, though, because toward the end of the book, there are about 70 pages that comprise a sub-story entitled "Me and My Shadow," which is a fascinating account of Jason Mewes' battle with addiction as seen through the eyes of Smith, his enabler. While I understand that
My Boring-Ass Life was easy to produce due to the fact that the material was already written, I think that Smith really should have considered expanding "Me and My Shadow" and making it a book unto itself rather than burying it in this otherwise forgettable anthology. I understand that this would be reasonably difficult for him from a logistical standpoint due to the time constraints presented by his film career, and if I was a publisher,
I'm not sure that I'd trust him with a deadline, but I think that this could potentially have been a pretty important work. As it is, I'd probably advise you to skip the book but read the story, if possible.
Ghostwritten, number9dream, Cloud Atlas and Black Swan Green by David MitchellAs you may have noticed, I don't read much fiction. There's actually a pretty good reason for this: Most modern fiction sucks out loud.
I'll tell you why I think this is: A lot of people think that if they read, they're smart. I assume that the tacit rationale behind this is that reading is what you do in school, so if you're reading, you're learning. In any case, the irony is that the people who believe this are, in fact, pretty dumb; sadly, these people make up the majority of the population and, therefore, the book-buying public. Because of this, there are a lot of dumb books that are written with these people as their intended audience. These are almost always novels -- the average American doesn't have the attention span for non-fiction -- and generally speaking, they sell much more briskly than more cerebral fare. Here's a general rule: If the book that you're reading appears on the New York Times Best Seller List, there's an 80-to-90-percent chance that it's trash.
Now, I'm not saying that everyone who reads a James Patterson novel is an idiot ... heck, I tend to enjoy Jerry Bruckheimer-produced movies and own a couple of KISS albums, so casting that particular stone would be awfully hypocritical. I
am saying, however, that I don't read enough to waste my time reading nonsense, so I don't read a lot of fiction.
My mom -- who is not an idiot, reads a lot of fiction, and knows that I have these views -- recommended David Mitchell's
Cloud Atlas to me as fiction that does not suck. And she was right; it's an interesting, original novel with sci-fi overtones that is told through a series of interconnected vignettes that span from the mid-19th Century to the distant future. The vignettes are all written in the first person, and each has a distinct patois that contributes to the sense that it exists independently of the rest of the stories, which ultimately makes it fun to discover how they are connected. Some of the vignettes are more compelling than others, and having to adapt to a new storytelling style every 40 pages or so is a bit jarring, but overall, I greatly enjoyed
Cloud Atlas.
Shortly after completing
Cloud Atlas, I read Mitchell's other three books, all of which are excellent.
Ghostwritten is, like
Cloud Atlas, told through a series of vignettes, though its style and technique are significantly different. To speak of the meta-plot would give away key details about the story, but trust me when I say that it's a compelling read.
number9dream is told through a more traditional linear narrative and is probably a bit more emotionally resonant than
Ghostwritten; it's the story of a young Japanese man covertly searching for his father in a near-future Tokyo, and while a sci-fi angle is present, it's not overplayed.
Black Swan Green is a coming-of-age story that Mitchell has admitted is semi-autobiographical, but it's not nearly as self-indulgent as most novels of its ilk tend to be. And while it's also not as ambitious as his other work,
Black Swan Green is, in my opinion, Mitchell's most mature effort thus far.
Sharp-eyed readers will also notice that despite their differences in storytelling techniques and chronological focus, minor characters recur across all four books. These appearances are a neat acknowledgment of the fact that these stories improbably occur in the same narrative space, but they're mostly just a bonus for Mitchell's dedicated readers; said characters are minor enough that ignorance of their previous appearances won't detract from your enjoyment of the novel in which they appear.
Can I Keep My Jersey? by Paul ShirleyPaul Shirley is a better basketball player than me, you or anyone either of us know. As he calculates early in this memoir, he's probably among the 500 best basketball players in the world. Unfortunately, though, he's not quite good enough to play consistently for an NBA team, so he's largely doomed to an existence of starring for minor-league teams in the U.S. and not-as-minor-league teams in Europe. Thankfully, he's a terrifically witty, acerbic writer -- similar in some ways to Klosterman, who wrote the introduction -- who views his existence with a combination of frustration and gratitude. He loves the game of basketball, but isn't particularly fond of a lot of the people with whom he plays nor the locations to which he has to travel in order to play (the section about his short stay in Russia is particularly venomous). Shirley portrays himself as an antisocial grump, but as you read
Can I Keep My Jersey?, it becomes obvious that he's just a normal guy in an abnormal world, and he's actually very endearing as such. In fact, since completing this book, I've been reading Shirley's "My So-Called Career" blog entries on ESPN.com (there's no homepage, so
here's the first entry ... the rest are accessible from the archive in the left-hand column), which pick up where the book leaves off. So if you judge the quality of a book by whether or not you want to keep reading it, then I'd say that I really enjoyed
Can I Keep My Jersey?.
Right now, I'm reading
The Book of General Ignorance by John Mitchenson and John Lloyd, and I have
Born Standing Up by Steve Martin,
Diaries 1969-1979: The Python Years by Michael Palin and
Game of Shadows by Mark Fainaru-Wada and Lance Williams on deck. I think that after I finish those, I'm going to give fiction another shot, as I've recently discovered
Time magazine's list of the 100 greatest novels of "All Time" (with "All Time" acting as a pun to refer to the history of the publication, as opposed to the entirety of existence, so if your book was published before 1923, it ain't on here ... sucks to be you, Tolstoy). I think I'm going to start with Infinite Jest, since I've been told that I'd like David Foster Wallace's writing style, although the book's size is a bit daunting -- there are almost certainly versions of the Bible that are smaller.
Any thoughts or recommendations, loyal reader(s)?